Diffrent celebrations in mithila in Paintings

Madhubani painting comes from the Indian villages of Madhubani and Mithila in Bihar. These paintings are done on various mediums such as cloth, hand made paper and canvas. The main themes of Madhubani paintings contain images of Hindu deities such as Krishna, Ram, Shiva, Durga, Lakshmi and Saraswati. Also you will be able to find beautiful Madhubani paintings of sun, moon and tulsi or the sacred basil plant revered very much by the Hindus.

Scenes of royal courts and social events such as celebration of wedding are also beautifully depicted in Madhubani paintings.The main categories in Madhubani paintings are:

• Traditional
• Monochrome
• Tattoo
• Contemporary
• Animals and Birds

Technique

The art of Madhubani painting requires skill and implies a certain technique. This technique requires simple raw materials that are easily located in villages such as bamboo sticks and cotton.
Firstly the cotton is wrapped around a bamboo stick to serve as a brush. Then the brush is dipped in colors and applied on to the fabric. No shading technique is used. The outline is done with double lines. The gaps between the two lines are filled with cross or straight lines. Colors are not used in linear paintings.

Vegetable colors are used making use of natural resources. For eg

• Black – By blending soot and cow dung
• Yellow - From turmeric, pollen, lime, milk of banyan leaves,
• Blue -Indigo
• Red - Kusam flower juice or red sandalwood
• Green - wood apple tree leaves
• White - Rice powder
• Orange - Palasha flowers

Madhubani paintings are pretty and well recognized by their distinct style of painting. Colorful and vivid in their description and get, the Madhubani art form is well appreciated by one and all. Madhubani paintings add a dash of vibrancy in the room and enhance its appeal when used as home décor item.
Madhubani painting is an expression of day-to-day experiences and beliefs. Madhubani painting is a traditional art symbolism, simplicity and beauty. In the Madhubani painting, the treatment of color is beautifully done. The themes of daily activities, nature, flora and fauna and Hindu Gods are the most prominent.

Madhubani paintings are characterized by the vibrant and bold use of colors and traditional geometric patterns that supports the main theme. Some of the main attributes of all the Madhubani paintings double line border, ornate floral patterns, abstract-like figures of deities and bulging eyes and a jolting nose of the faces of the figures.

The Madhubani painting is a traditional folk art form which has succeeded in creating a place for itself in the internationally and is recognized world wide.

Sources: CraftsinIndia.com

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Colors and setting in Mithila painting.

Central theme of Madhubani Paintings.

Origins of Mithila Paintings

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Mithila in Nepal also

Janakpur is the birthplace of Sita, the Hindu goddess and wife of Lord Rama. It is also the capital of ancient Mithila kingdom and is the home of the unique Mithila artifacts in Nepal. Janakpur, also called Janakpur Dham, is about 135 kilometers from Kathmandu, the capital of Nepal.

The main attraction of the city is its Janaki Temple. The Temple is dedicated to Goddess Sita who was married to Rama and was the central character of the Hindu epic, Ramayana. This temple was built in 1911 and is in many aspects reminiscent of Islamic architecture. Another landmark of Janakpur are the numerous sacred ponds for ritual baths that are scattered all over the city. The 2 most important ones are close to the Janaki temple and are known as Dhanush Sagar and Ganga Sagar. Nearby is another temple that is called 'Sita-Ram vivah mandir'. The temple is said to be built at the place where Lord Rama was married to Sita. Marriage anniversary of Ram and Sita is observed every year here through a festival that is also observed throughout Nepal. The place is very popular among the Hindus all over the world.

Information about Mithila Area:


This region is heavily influenced from the Mithila region of Bihar, a state in the eastern part of India. The place offers an excellent opportunity for visitors to learn about Mithila culture and its people. The city is famous for Mithila artifacts such as Mithila paintings and potteries. Most of these paintings have, the life history of Lord Buddha as their subject. A good Mithila painting is a must buy.

Ritual practices in mithila painting

Mithila is an historic seat of Indian civilization where ancient ritual practices have survived for centuries. Maithili men have long been known as priests and scholars. At the same time, women have long been specialists on the floor- and wall-painting associated with a vast array of ritual practices. Thus when performing the samskaras, the rites of passage or initiation across the life cycle, Maithil Brahmin, Mahapatra, and Kayastha women use their fingers dipped in pithar, rice paste, to draw elaborate geometric and floral diagrams known as aripan, on mud- and cowdung-plastered floors. Each of the several dozen rituals has its own distinctive aripan.

Marriages involve numerous ceremonies and rites over a several year period, and are consummated on the fourth day of the second wedding in an internal nuptial chamber, the khobar-ghar. This room is decorated with wall paintings of protective gods and goddesses, and a kohbar – an elaborated lotus pond, an icon of fertility, fecundity, and prosperity. Wall paintings are also traditional near the gosain-ghar, the shrine of the family deity situated in a corner of kitchen. On the sacred day of Durgashtami, the eighth day of the festival honoring the goddess Durga, both walls flanking the kitchen door are richly painted with images of Durga astride her lion. During marriages and festivals the outer walls of houses of many different castes are also frequently embellished with protective and decorative motifs as well as mythological figures and scenes.

Source:Mithilapainting.org

Painting collection at Museum.

You can see A collection of Mihila Paintings at the Bihar govt  Institute of industrialDesign digha Patna and at in museum  Darbhanga. President of India gave an award to Mrs Jagdamba Devi of Village Jitbarpur near Madhubani. Beside her, two other painters, Mrs Sita Devi and Mrs Mahasundari Devi were also given national awards in this field.In 2011, Shri Mahasundari Devi was again awarded, this time Padma Shri by the government of India.

A collection of some samples of Mithila's domestic arts may be seen in the Chandradhari Museum, Darbhanga. W.G. Archer has also a collection of Mithila paintings and so has Upendra Maharathi, the artist, under whose supervision a collection of Bihar's folk art and craft has been built up at the Bihar Government Institute of Industrial Design, Digha, Patna.

Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women. The painting was usually done on walls during festivals, religious events, and other milestones of the life-cycle such as birth, Upanayanam (sacred thread ceremony), and marriage.it is one of the best craft work

Madhubani art

From Wikipedia, the free encyclopedia

 

Madhubani Paintings-Technique and colors

Madhubani painting comes from the Indian villages of Madhubani and Mithila in Bihar. These paintings are done on various mediums such as cloth, hand made paper and canvas. The main themes of Madhubani paintings contain images of Hindu deities such as Krishna, Ram, Shiva, Durga, Lakshmi and Saraswati. Also you will be able to find beautiful Madhubani paintings of sun, moon and tulsi or the sacred basil plant revered very much by the Hindus.

Scenes of royal courts and social events such as celebration of wedding are also beautifully depicted in Madhubani paintings.The main categories in Madhubani paintings are:

• Traditional
• Monochrome
• Tattoo
• Contemporary
• Animals and Birds

Technique

The art of Madhubani painting requires skill and implies a certain technique. This technique requires simple raw materials that are easily located in villages such as bamboo sticks and cotton.
Firstly the cotton is wrapped around a bamboo stick to serve as a brush. Then the brush is dipped in colors and applied on to the fabric. No shading technique is used. The outline is done with double lines. The gaps between the two lines are filled with cross or straight lines. Colors are not used in linear paintings.

Vegetable colors are used making use of natural resources. For eg

• Black – By blending soot and cow dung
• Yellow - From turmeric, pollen, lime, milk of banyan leaves,
• Blue -Indigo
• Red - Kusam flower juice or red sandalwood
• Green - wood apple tree leaves
• White - Rice powder
• Orange - Palasha flowers

Madhubani paintings are pretty and well recognized by their distinct style of painting. Colorful and vivid in their description and get, the Madhubani art form is well appreciated by one and all. Madhubani paintings add a dash of vibrancy in the room and enhance its appeal when used as home décor item.
Madhubani painting is an expression of day-to-day experiences and beliefs. Madhubani painting is a traditional art symbolism, simplicity and beauty. In the Madhubani painting, the treatment of color is beautifully done. The themes of daily activities, nature, flora and fauna and Hindu Gods are the most prominent.

Madhubani paintings are characterized by the vibrant and bold use of colors and traditional geometric patterns that supports the main theme. Some of the main attributes of all the Madhubani paintings double line border, ornate floral patterns, abstract-like figures of deities and bulging eyes and a jolting nose of the faces of the figures.

The Madhubani painting is a traditional folk art form which has succeeded in creating a place for itself in the internationally and is recognized world wide.

Sources: CraftsinIndia.com

Mithila Painting-- some useful informations

Madhubani paintings, (also referred to as Mithila Art as it flourishes in the Mithila region of Bihar), are characterized by line drawings based on mythological themes, in bright colours and decorative borders. They are so called because they originated in and around a large agricultural town in Bihar, Madhubani or 'Forest of Honey'.
Originally, Madhubani Paintings were executed on freshly plastered mud walls, on religious occasions or weddings. Each painting was a prayer and an accompaniment to meditation. Well executed paintings were believed to be inhabited by the deities depicted in them. The colors used in these paintings were made from Natural Dyes. Today, Madhubani Paintings are made on silk, Handmade paper, cloth, canvas etc for commercial purposes. The use of chemical dyes and paints have resulted in brighter multicolored paintings.

Madhubani art came to the notice of the rest of the country in the 1960s. Bihar had been hit by a terrible drought and the government decided to promote Madhubani Paintings to create an alternative non agricultural source of earning. The All-India Handicrafts Board encouraged the artists
Madhubani paintings are mostly made by Hindu village women who traditionally passed on this skill from mother to daughter.

There is a caste hierarchy involved in the making of Madhubani paintings. The Brahmins, people of the highest caste, depict images of Gods and Goddesses and use all kinds of bright colours such as red, yellow, blue and lemon. The second in the hierarchy are the Kayasthas, who paint religious themes and motifs, but use only red and black colors. The lowest caste, the Dusadhs, paint religious themes but use more of the Gondhna or Tattoo art and usually depicts flora and fauna in repetitive motifs.

Even today, most of the Madhubani artists' work remains anonymous. Few women like to mark their paintings with their names, and are quite reluctant to consider themselves individual producers of "works of art".

Some recent paintings made at our Production wing,
Made on Hand made paper poster color used
this painting can be made on cloths also with fabric color in
diffrent size,

These paintings are for sale,
Try. Thanks.

itsrkdas@gmail.com

Central theme of Madhubani Paintings.

Madhubani Painting Themes

The central theme the Madhubani paintings is the Hindu Gods and Goddesses. The main theme is supported by the traditional geometric patterns. Some of the main attributes of all the Madhubani paintings double line border, ornate floral patterns, abstract-like figures of deities, bold use of colors and bulging eyes and a jolting nose of the faces of the figures. Madhubani paintings requires paste of cow dung and mud, applied to the walls and floors to give a perfect black background on which pictures are drawn with rice paste and vegetable colors. As the ethnic art is gaining its due popularity these days, this art form is being done on a variety of interesting bases like canvas, drapes, handmade paper, wall hangings, glass, sarees etc. For an authentic look many of the painters still apply a thin layer of cow dung and mud paste on their canvases.

Add caption
Stop Tree cutting.
Painting made at Centre by:Bandana Devi.

Symbolism in Mabhubani Paintings

Most of the figures depicted in Madhubani paintings carry a symbolic meaning to them which makes these paintings all the more interesting. Fishes in a Madhubani painting depict good luck, fertility and procreation, peacocks symbolize romantic love while serpents in these paintings are identified as divine protectors.

Madhubani Painting Artists

Madhubani paintings were traditionally done by females only. Since generations, this folk art form has been passing from mothers to daughters in Mithila. Though, the madhubani painting technique has now crossed the restricted confinements of Mithila and Bihar and thus, skilled madhubani artists (including males) can be found in other parts of the country as well.

Introduction of Mithila Paintings

Hindu women who live in villages near the market town of Madhubani in northern India maintain old traditions and teach them to their daughters. Painting is one of the traditional skills that is passed down from generation to generation in the families of some of the women. They paint figures from nature and myth on household and village walls to mark the seasonal festivals of the religious year, for special events of the life-cycle, and when marriages are being arranged they prepare intricately designed wedding proposals.
But even though women in the villages around Madhubani have been practicing their folk art for centuries, the world at large has come to know about these women and to consider them to be "artists" only in the last thirty years. Even now, most of their work remains anonymous. The women, some of them illiterate, are in any case reluctant to consider themselves individual producers of "works of art" and only a few of them mark the paintings with their own name.

Among the first modern outsiders to document the tradition of Madhubani painting were William and Mildred Archer. He was a British civil servant assigned to the district during the colonial era. The Archers obtained some drawings on paper that the women painters were using as aids to memory. Works that the Archers collected went to the India Records Office in London (now part of the British Library) where a small number of specialists could study them as creative instances of India's folk art.

What led the women painters to share their work with the larger world was a major ecological and economic crisis that resulted from a prolonged drought in 1966-68 that struck Madhubani and the surrounding region of Mithila. In order to create a new source of non-agricultural income, the All-India Handicrafts Board encouraged the women artists to produce their traditional paintings on handmade paper for commercial sale.

Since then, painting has become a primary source of income for scores of families. Production and initial marketing have been regulated by regional craft guilds, the state government of Bihar, and the Government of India. But the continuing market in this art throughout the world is a tribute to the resourcefulness of the women of Mithila who have successfully transferred their techniques of bhitti chitra or wall-painting to the medium of paper, and have resisted the temptation to adapt their traditional designs too freely in pursuit of unpredictable public tastes.

Poster from MithilaPainting centre.

Source:www.vl-site.org/india/mithila/intro.html

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Origins of Mithila Paintings

The origins of Madhubani painting or Mithila Painting are shrouded in antiquity. Tradition states that this style of painting originated at the time of the Ramayana, when King Janak commissioned artists to do paintings at the time of marriage of his daughter, Shri Sita Maa, to Lord Ram.
Madhubani painting has been done traditionally by the women of villages around the present town of Madhubani (the literal meaning of which is forests of honey) and other areas of Mithila. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas.
As Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively.
Madhubani paintings mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs. Objects depicted in the walls of kohabar ghar (where newly wed couple see each other in the first night) are symbols of sexual pleasure and procreation.
Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women.^[4] The painting was usually done on walls during festivals, religious events, and other milestones of the life-cycle such as birth, Upanayanam (sacred thread ceremony), and marriage.

In this paintings airtists uses leaf, Herbs, Flowers to make the colour which is used to draw paintings. Modern days Madhubani Paintings Categories in three diggerent types
Source:http://books.google.com/books?el.

Colors and setting in Mithila painting.

Mithila paintings can be described as a style of painting, rather than a set of pictures. It employs natural colors, with the most popular being deep red - derived from Kusuma flower. The other colors include green - from Bel trees, black - from burnt jowar, light yellow - from turmeric mixed with banyan leaf milk and orange - from Palasa flower. The colors, which are mostly bright, are used to impart two-dimensional imagery to the paintings. Madhubani painters use a very unusual form of brush for the art. Handmade, the brush is created out of a bamboo stick, with its end being slightly frayed.

 

Subjects:

The subject of Mithila paintings is mostly religious, including motifs of deities like Shiva, Vishnu, Krishna, Ram, Lakshmi, and Saraswati. Durga and Kali are also pre-dominant. The paintings also depict natural objects, like sun and moon, and religious plants, like tulsi (holy basil). Other motifs include scenes from the royal court and social events, like weddings, apart from activities from the daily life. In most of the cases, you will never find empty spaces in Mithila paintings. More often than not, the gaps are filled with paintings of flowers, animals, birds, and even geometric designs.

 

Basic Characteristics

One of the basic characteristics of Madhubani paintings comprises of the vibrant and bold use of colors. Even traditional geometric patterns, which are related to, and support, the main theme is another typical aspect that one can find in the paintings. You will also come across distinctive styles, like double line border, elaborate floral patterns, abstract-like figures of deities and bulging eyes and a jolting nose (as a part of the face of the figures) in Madhubani paintings. In fact, all these aspects are what make this art form different from the others and impress the connoisseurs of art.

 

Source: Google.

Some belief of the people of Mithila Area.

As per the belief of the people of Madhubani that Gods visit each house in the morning to bless them with luck and prosperity, Madhubani paintings started as a welcome painting on the walls, doors and floors for the Gods. Till the 1960s it was a purely a decorative art. But the Bihar famine of 1964-65 took its toil on the people of Madhubani and they had to shift from agriculture to other forms livelihood. And with that started the commercialization of the Maithili paintings; it shifted from walls and floors to paper, satin, sarees, dupattas, etc, without deviating from its original themes, the themes of religion and mythology. Most of the people of Madhubani now depend on these paintings for their daily necessities.

A paste of cow dung and mud is applied on the walls and floors to give a perfect black background on which pictures are drawn with white rice paste; bright vegetable colors are then applied on the figures making them more vibrant. A great number of Madhubani painters still apply a thin layer of cow dung and mud paste on their canvases to give a more authentic look and also because it helps in proper absorption of color.

Source:india times.

nternational recognition. 
indianhandicrafts.co.in

Bihar Related 

Tricks and Tips of of Mithila Paintings

Here are some tips and tricks which should be kept in mind when you are you learning making Mithila Painting:


1. Choose a colorful design: It is often seen that tradionally there are only basic colours used like orange, green and red but you can add colurs like pink, purple, blue to make it more attractive.

2- Choose a design that is simple.
The design pattern should be simple and clear !

3-Trace the design well: If you do not trace it well, you will find yourself in trouble later. You can make improvements in designs like changing the features of face later.

4-Choose a theme.
If you are making more than one painting then choose a theme e.g.Krishna because each painting has certain meaning or situation

5-Don't limit youself : If you don't want a painting then you can always make a bookmark, card or table mats with Madhubani and laminate them.

6. Add a beautiful border: Make sure you have a border . It will add a new dimension to your painting

Back home.

काल्हि बिहार संपर्क क्रांति एक्सप्रेस स दिल्ही स गाम एअल्हू ,पता नहीं की बात छपरा तक ट्रेन  समय स पहिने आ 

तकरा बाद  दरभंगा तक में ट्रेन २ घंटा लेट . २ दिन पहिने नीक बारिस भेल छल ताहि स मोसन  बढ़िया छल!

जुर शीतल के जोश देखैयल , आम क गाछ में खूब टिकुला लागल, ! देख क लागल जे हमर गाम दिल्ही ओ 

कश्मीर स निक हमर गाम  केओती  केवल १  समयसा  जे बिजली  क दरसन नहीं इन्वेर्टर  सेहो डिस्चार नहीं रहला के कारने खैर .......! सेंटर में छुट्टी छैक , सोम के खुजत.    

Mithila Paintings: Background

The Mithila painting is one of the living creative activities of the women of this region. It is a famous folk painting on paper, cloth, readymade garments, movable objects etc., mainly by the village women of Mithila. Originally it is a folk art, practiced by the women of all castes and communities, including the Muslims, on walls and floors using the natural and vegetable colours. Later some people took interest in it and motivated the women to translate their art from walls and floors to the canvas and now the new form has given this a very distinct identity in the art world as well as in the market. This folk art has a history, a cultural background, women’s monopoly and distinct regional identification. Where is Mithila? What is the cultural and historical significance of this land? Why is it that this art is that special in Mithila? We are trying to teach to the present genaration. 

Mithila Painting Training centre

I    am in Delhi since 3rd ofApril and enjoying with the kids. Now I am worried for the centre ,  because by

end of this month First batch will complite their course and 2nd batch will start around 5th May.

I will have to make so many changes and arrangements. To day I planned to go back as early as possible.

it will depend on Railway booking.